Darwinism

Darwin, Literature and Victorian Respectability

Gowan Dawson - Darwin Literature and Victorian RespectibilityWhen Richard Owen (1804-1892) denounced T.H. Huxley’s (1825-1895) paleontological methods at the Geological Society of London in 1856, he did so on peculiarly moralistic grounds. But this should come as no surprise, for Owen “drew upon a long, well-worn tradition connecting materialism and unbelief with moral corruption and debauchery, including the entwinement of pornography and materialist philosophies in the Enlightenment.” So writes Gowan Dawson in a striking study on Darwin, Literature and Victorian Respectability (2007). In this volume Dawson explores the curious relationship that Victorian reviewers and commentators drew between the ideas and advocates of scientific naturalism and the “Fleshly School of Poetry” of W. Morris(1834-1896), D.G. Rossettie (1828-1882), A.C. Swinburne (1837-1909), and their “coterie of licentious companions.” Darwin and other scientific writers were haunted by an anxiety that their ideas, theories, illustrative examples and subject matter in general, might be construed as violating the boundaries of Victorian sexual respectability. Indeed, Darwin, Huxley, Hooker, and others were at pains to protect evolutionary theory from attack by those who saw evolution as leading to dangerous political and social practices such as sexual immortality, birth control, and divorce. As Dawson points out, “those seeking to discredit the cultural authority of evolutionary science identified it with the alleged sensual indulgence of aestheticism, while those attempting to establish it as a respectable secular theodicy denied such as connection and instead emphasized links with more reputable literary writers.”

In his Introduction, Dawson notes that Darwin’s “particular conception of organic evolution…quickly became part of a wider political campaign” by the scientific naturalists to “wrest the last vestiges of intellectual and cultural authority away from the monopolistic Anglican Church establishment, as well as the gentlemanly amateurs who represented its interests in the scientific world.” Their goal was not the abolition of traditional religion, however; rather, the scientific naturalists sought to naturalize it, with “law and uniformity supplanting theology as the guarantors of order in both the natural world and human society.” To this end, scientific naturalism “had to be urgently sequestered from any hostile associations that might tarnish them in the eyes of the various audiences for science in Victorian Britain and consequently undermine the political aspirations of dissident secular intellectuals.” And more than any other vice, specific anxieties over sexual immortality emerged as the “most significant impediment to establishing a naturalistic worldview as a morally respectable alternative to earlier theological outlooks.”

Darwinian evolution was seen by many Victorians as unleashing a “torrent of immortality and corruption that would surpass the scandalous vices of even the pagan world.” Thus “in order to neutralize the charges of encouraging sexual immorality, the proponents of evolutionary theory, attempting to forge their own naturalistic social theodicy, had to shield Darwinism equally vigorously from any such invidious connections, in part by distinguishing a self-proclaimed ‘pure’ science—drawing on all senses of that overdetermined adjective—from the less reputable aspects of nineteenth-century general culture.”

Dawson also argues that while the scientific naturalists sought to publicly cultivate a reputation of unimpeachable respectability and character, in private correspondence, “sardonic and permissive attitude towards…profane topics…contravened conventional standards of middle-class respectability.” This was indeed a “masculine culture,” a “convivial fraternalist discourse” and “tolerant cosmopolitanism.” Of course, such “bawdy” anecdotes shared between scientific naturalists were not “generally divulged to wives or other female family members.”

The periodical of choice of scientific naturalists was John Morley’s (1838-1923) Fortnightly Review. Here Huxley, John Tyndall (1820-1893), and W.K. Clifford (1845-1879) and other leading exponents of evolution and scientific naturalism found a ready audience. And as Dawson points out, the magazine “encompassed both evolutionary science and aesthetic literature, and this shared mode of publication evidently emphasized the areas of potential similarity between them.”

Robert W. Buchanan (1841-1901) was one of the earliest to aver against the “fleshy” and materialistic poetry of Swinburne, Rossetti, Morris and others. Buchanan would also connect aesthetic poetry with the alleged materialism of contemporary science. In the 1876 issue of New Quarterly Magazine, for example, Buchanan contested the principles that Tyndall had advanced less than two years earlier in his Presidential Address to the BAAS at Belfast. For Buchanan, Tyndall’s materialistic science was “merely another version of the fleshy creed promulgated in the verse of Rossetti, Swinburne and their coterie of licentious companions.”

The scientific naturalists responded to such raucous accusations in two ways. First, they simply reiterated the “scrupulous standards of personal morality exhibited by scientific practitioners, as well as the strict discipline and moral propriety instilled—and indeed required—by empirical methods of experimentation and observation.” Another response, particularly and effectively employed by Tyndall, emphasized “the already existing connection between the leading advocates of scientific naturalism and older and more reputable literary writers, most notably the Poet Laureate Alfred Tennyson and the conservative Sage of Chelsea Thomas Carlyle.” But as Dawson suggests, Huxley, Tyndall, and other scientific naturalists might have deliberately misinterpreted the work of these literary figures for their own particular purposes.

In the remaining chapters of Dawson’s remarkable book, he examines and analyzes “sexualized responses to evolution,” “nineteenth-century revival of paganism,” “Victorian freethought and the Obscene Publications Act,” “the refashioning of William Kingdon Clifford’s posthumous reputation,” and “the pathologization of aestheticism” by Huxley and Henry Maudsley (1835-1913). Judiciously integrating “contextualist approaches to the history of science with recent work in nineteenth-century literary and cultural history,” Dawson exemplifies what research in both archival and manuscript sources should look like. He draws from a broad ranges of sources, including journalism, scientific books and lectures, sermons, radical pamphlets, aesthetic and comic verse, novels, law reports, illustrations and satirical cartoons, and private letters. Dawson provides a fascinating account of the reception of scientific ideas and further evidence that science is never neutral.

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Victorian Science in Context

Lightman - Victorian Science in Context“Victorians of every rank, at many sites, in many ways, defined knowledge, ordered nature, and practiced science.” This introductory remark, in Bernard Lightman’s Victorian Science in Context (1997), unveils the aim of the volume as a whole. Presented as a series of connected vignettes, it focuses on the local and the contingent. Situating a range of natural knowledge in their cultural milieu, Victorian Science in Context is a fascinating jaunt through nineteenth-century British science.

Lightman’s introduction is brief, lucid, and pertinent. According to Lightman, science was central to Victorian culture. And whether sensational, ceremonial, or mundane, Victorian science was always political. This is evident in the strong interest in science by literary figures, such as Thomas Hardy (1840-1928), George Eliot (1819-1880), Alfred Lord Tennyson (1809-1892), Charles Dickens (1812-1870), and John Ruskin (1819-1900), to name only a few. The political nature of Victorian science is also evident among British scientists themselves, who “were deeply involved with general culture.” The realization that Victorian science was inextricably linked to powerful social and cultural forces drove historians away from intellectual history to contextualism, which sees the local, the context, the situated, or the particularities of historical events and figures as crucially important. Whose “truth,” “rationality,” “science,” “religion,” “ethics,” and so on, are the principle questions asked by contextualist historians. Lightman goes on to chart the development of the contextualist approach, tracing a detailed genealogy beginning with early attempts by Susan Faye (Walter) Cannon, John Greene, and the more recent work of Frank Turner, Robert Young, Jack Morrell and Arnold Thackray, Martin Rudwick, Adrien Desmond, James Moore, Nick Jardine, James Secord, Emma Spary, Robert Stafford, Crosbie Smith and M. Norton Wise, Cynthia Russett, Evellen Richards, Gillian Beer, and George Levine.

The contributors of Victorian Science in Context “examine the varied contexts of Victorian “biological thought, astronomy, field theory in physics, probability theory in mathematics, political economy, scientific nomenclature, instruments, laboratories, measurement, fieldwork, and the popularization of science,” including their “imperial, industrial, political, gendered, ideological, racist, literary, and religious nature.” Lightman provides an apt précis of their contents in his Introduction, tying a tremendously diverse collection of essays into a seamless argument—namely, that in defining knowledge, in ordering nature, and in practicing science “we not only find nature but also encounter ourselves as inquisitive, social, and political beings.”

Fittingly, the essays are grouped into three sections: Part 1 deals with “Defining Nature”; Part 2 with “Ordering Nature”; and Part 3 “Practicing Science.” This overview of Victorian Science in Context reflects my particular research interests.

Alison Winter’s essay on “The Construction of Orthodoxies and Heterodoxies in the Early Victorian Life Sciences” undermines the traditional image of early Victorian science. Science in the Victorian age was not made up of a homogeneous community; it was indeed “volatile” and “underdetermined,” indeed a “more fluid chaotic state of affairs” than traditionally reckoned. “We now know,” she writes, “that the practices, practitioners, contexts, and audiences that existed for early Victorian science were extremely diverse,” and that by the “late 1830s and 1840s there was a far wider range of specialist journals and societies, and a dizzying variety of other arenas in which science was practiced  and communicated.” This diversity is indicative of the multifarious definitions of “science” proposed during the era.

As already mentioned, recent research has overwhelmingly demonstrated the political significance attached to claims about nature. Winter notes, for example, how “radical artisans adapted evolutionary thought to give a blueprint in natural law for their socialist and cooperative projects.” Indeed, the “life science supplied pedigrees for the conservative, liberal, and radical” alike. What is more, “issues of place, practice, and audience have been central to the construction of scientific authority and orthodoxy.” In the second half of her essay, Winter concentrates on the case of William Benjamin Carpenter (181-1885), who personally sought “to demarcate the legitimate from the illegitimate experiments and phenomena.” His 1839 Principles of General and Comparative Physiology claimed that physiology should become as lawlike as the physical sciences, thus reducing “physiology to a set of naturalist laws.” This claim was just as controversial as what the radical artisans had advocated in their evolutionary project; but unlike the radicals, Winter argues, Carpenter solicited the support of specific elite scientists who were also religiously orthodox. And when his Principles did come under attack, he “took immediate and vigorous action to vindicate himself,” publishing an appendix “to one of the moderate progressive medical periodicals a personal defense of the spiritual respectability of his work.” In this defense Carpenter described a world “run by laws that had themselves been ushered into existence by a single divine act.” But more important than his own defense, Winter  explains, were the “letters of reference” from individuals who embodied orthodoxy in science and religion, defending Carpenter’s work as “theologically sound.” Carpenter’s act of “juxtaposing the names and statement of individually eminent personages” constructed them “as an authoritative and definitive community.” Thus the “specific work that was necessary to secure the status of orthodoxy for himself was the assertion of what counted as an authoritative community for him.” That is, by successfully soliciting the support of respected scientists of orthodox standing, Carpenter constructed his own definitions of what counted as heterodox or orthodox in his scientific work.

Martin Fichman’s “Biology and Politics: Defining the Boundaries” examines the rich interplay between biological and political speculation. Because “evolutionary biology was at an interface between the natural and social science, it was notoriously susceptible to sociopolitical influences and deductions.” T.H. Huxley and John Tyndall’s strategy for advancing the professional status of biologists, by isolating biology from politics and by proclaiming the ideological neutrality of science, failed. Evolutionary science become, unsurprisingly, “hostage to pervasive ideological manipulation by the scientific naturalists themselves.”  In this essay Fichman focuses on the work of Herbert Spencer, Francis Galton, Huxley, and Alfred Russel Wallace.

Spencer, although one of the “grandest systematizers of evolutionary thought,” never fully embraced Darwinism, his perspective being more principally aligned with Lamarckian views. Spencer’s evolutionary synthesis “lent itself to the most diverse political readings,” mainly because his philosophy was not so much materialistic as it was socially progressive. Galton, Darwin’s cousin, “simply subsumed politics under biology.” Coining the term “eugenics” in 1883, he advocated “societal programs to foster talent, health, and other ‘fit’ traits (positive eugenics) and to suppress feeblemindedness and other ‘unfit’ traits (negative eugenics). In Galton’s mind, eugenics was a scientific “repudiation of conservative, aristocratic privilege; politically, he reflected the middle-class outlook of much of the liberal intelligentsia.” According to Fichman, Galton’s eugenics was “an evolutionary science constructed upon a political infrastructure.”

By the 1870s, science had increasingly gained ascendancy and cultural autonomy, largely at the hands of an influential coterie made up of Huxley, Tyndall, Galton, J.D. Hooker, John Lubbock, and other members of the X-Club. “With a combination of research achievements, polemic wit, and literary eloquence…” this group “helped create a largely secular climate of opinion in which the theories and metaphors of modern science penetrated the institutions of education, industry, and government.” Their “metascientific strategy,” as Fichman phrases it, was the promotion of ideological neutrality. But as Fichman demonstrates, the scientific naturalists, “rather than limiting and depoliticizing the authority of evolutionary science, subtly invoked it to support [their] own political views.” In short, “scientific naturalism had never been ideologically neutral.”

Alfred Russel Wallace (1823-1913) attacked any pretext to ideological neutrality. Indeed, for Wallace, evolutionary biology necessitated an ideological context. In his “Human Selection” (1890) and “Human Progress: Past and Future” (1892), Wallace unabashedly declared his socialist convictions, particularly towards sexual selection. “Socialism, by removing inequalities of wealth and rank, would free females from the obligation to marry solely on the grounds of financial necessity.” And as Fichman points out, “Wallace’s social progressionism informed his biological progressionism and reinforced his position that science did not function as a neutral blueprint for political philosophy.” That is, Wallace’s scientific views merged seamlessly with his advocacy of socialism and feminism.

The thought provoking “Satire and Science in Victorian Culture” by James Paradis examines the formation of attitudes towards claims of science and scientists themselves by focusing on the ways in which irony and its “militant” form, satire, was mobilized as a strategy for making sense of new claims about the world. Drawing from Punch (1841-1992), Figaro in London (1831-38), the Comic Almanack (1835-53), as well as Victorian literary pieces such as Thomas Carlyle’s Sartor Resartus (1833-34), Charles Kingsley’s The Water-Babies (1863), Matthew Arnold’s Culture and Anarchy (1869), and Huxley’s Lay Sermons, Adresses and Reviews (1870), Paradis argues that “literature became an important conduit for conveying scientific ideas of the day to the broad public.” What is more, the scientific elite themselves used cartoons, doodles, caricatures, and humor as “instruments of scientific infighting to contrast reform platforms with orthodox resistance.” This, of course, was stunningly reductive, to the point of irresponsible, incorrectly presenting figures and facts, often reinforcing crude prejudices, falsifying categories, and distorting significant truths. But as Huxley discovered, “irony and satire…could be used to privilege the emergent institutions of science.”

Perhaps more ominous, recent research suggests that at the same time as young adults are abandoning traditional news media, they are more likely to identify with late-night comedy programs, particularly Comedy Central’s The Daily Show with Jon Stewart and The Colbert Report with Stephen Colbert, or with humor websites such as BuzzFeed.com and Cracked.com and others, as a destination for learning about current events. This trend towards news as entertainment was pointed out long ago by Neil Postman. According to Fichman, “one who laughs not only directs criticism at the object of his laughter, but also invites his companions to share his sentiments. Irony and satire from the 1840s to the 1860s had increasingly become tools in the scientific community for shaping a minority cultural vision.” Huxley, with his mordant witticism, used his gift “to turn the direction of the irony against received tradition and to seize the moral high ground for a progressive intellectual culture associated with the sciences.”

Bernard Lightman’s “‘The Voices of Nature’: Popularizing Victorian Science” is similar to his more recent essay in Wrestling with Nature (2011). According to Lightman, Huxley and Tyndall “account only for a small portion of the works of Victorian popularizers of science.” Indeed, the popularizers of science played a far greater role in “shaping the understanding of science in the minds of a reading public composed of children, teenagers, women, and nonscientific males” than any of the scientific naturalists. Yet their comparative neglect by historians until most recently is the result of the successful campaign forged by the scientific naturalists, who convinced “future generations that scientists were the authoritative guides to deciphering the meaning of natural things—that they alone gave voice to mute nature.”

It is the contextualist approach that offers a necessary antidote. Recent work by contextualist historians, Lightman notes, reveals the “rich interaction between Victorian science and culture.” The contextualist approach also shows how Victorian popularizers of science experimented with the narrative form and the implicit “storytelling quality of all science.” “Both popularizers and professionals,” writes Lightman, “have continued to tell stories about the ultimate meaning of things as revealed by science, though this characteristic of science has been concealed in the scientific reports and papers of professional scientists.” Lightman then offers an account of Margart Gatty’s (1809-73) The Parables of Nature (1855), which was a series of fictional short stories for children designed to teach them about the natural world; Eliza Brightwen’s (1830-1906) Wild Nature Won by Kindness (1890) and other stories sought to “foster ‘the love of animated nature’ in her audience, especially ‘in the minds of the young'”; and Arabella Buckley’s (1840-1929) The Fairyland of Science (1879), likewise aimed to “awaken ‘a love of nature and of the study of science’ in ‘young people’ who more than likely ‘look upon science as a bundle of dray facts.'” Interestingly, Buckely does not shy away from introducing the story of evolution in The Fairyland of Science. Rather, she “reinterprets the story of evolution in way that emphasizes the moral dimensions of the process. The purpose of evolution was not, as Darwin had argued, merely the preservation of life, it encompassed the development of mutuality as well.” And like Gatty and Brightwen, Buckley “believed that science offered the means for ascertaining the true meaning of God’s works.” According to Lightman, all three authors are “part of the natural theology tradition.”

In the late nineteenth-century, “thousands of members of the public were introduced to astronomy” by the writings of Anthony Proctor (1837-88). His most popular work, Other Worlds Than Ours (1870), cast science into a “teleological framework” and encouraged the reading public to become amateur astronomers—for the astronomer, “imbued with the sense of beauty and perfection which each fresh hour of world-study instills more deeply into his soul, reads a nobler lesson in the skies.” Astronomy, according to Proctor, leads to God. Similar sentiments were shared by the Reverend John George Wood (1827-89) and Agnes Mary Clerke (1842-1907) in their many writings, who both declared that the natural world testified “to the existence and wisdom of God.”  We may draw two important conclusions from the popularization of science during the Victorian era. The first is that “science continued to be contested territory in the latter half of the nineteenth century.” Second, the stories told about nature were also contested. Should stories about nature be told from a teleological, aesthetic, moral, or evolutionary perspective? The scientific naturalists fought for the hearts and minds of the reading public. But so did popularizers of science. Thus we may say that the professional scientist competed against the professional writer. Who won is still an open question, however.

Geographies of Nineteenth-Century Science

Livingstone and Withers - Geographies of Nineteenth-Century Science“Science,” writes Nicolaas Rupke, “is not just a collection of abstract theories and general truths but a concrete practice with spatial dimensions.” It is, indeed, “situated knowledge.” Rupke comes to this conclusion in an Afterword for David N. Livingstone and Charles W.J. Withers’ (eds.) Geographies of Nineteenth-Century Science (2011). The essays in this volume “situate a range of scientific knowledge claims in civic, metropolitan, and even colonial island sites, and in such architectural spaces as museums and laboratories.” Its authors convincingly argue that “Nineteenth-century scientific knowledge…constituted a plurality of knowledges, each shaped by local customs and norms, dependent on locally generated authority and credibility, and serving partisan political purposes.”

Thinking geographically about nineteenth-century science, the editors argue, evinces a science practiced “in different ways in different places.” Accordingly, “scientific knowledge is differently spread across the surface of the earth, and moves from place to place through complex circulatory networks.” At the same time, “scientific institutions occupy distant locations in different settings.” A corollary to all this is that “scientific theories are shaped by the prevailing political, economic, religious, and social conditions, as well as a host of other cultural norms in different geographical localities, and…[thus] may bear the stamp of the environments within which they are constructed.”

Livingstone and Withers want to show how thinking geographically helps to disclose how “science—the sciences—became professional, popular, disciplined and discursively discrete, precisely institutionalized and widely instructive.” The volume contains 17 chapters and over 400 pages of text divided into three parts: “Sites and Scales,” “Practices and Performances,” and “Guides and Audiences.” All chapters work together in contributing to a continuing interdisciplinary debate about “the placed nature of science’s making and reception, about the processes that were adopted to make scientific knowledge mobile for whom and with what consequence…[revealing] that what has held to be science varied—but within institutions, at different scales, and for different audiences in different places.” Here I provide a synopsis of chapters I found particularly insightful.

Bernard Lightman’s “Refashioning the Spaces of London Science: Elite Epistemes in the Nineteenth Century,” turns to how space mattered. Following John Pickstone’s Foucauldian analysis of different “epistemes,” or ways of knowing, Lightman seeks to “identify broad epistemic patterns across disciplines and to see how they change over the course of time.”

Lightman begins by discussing sites of gentlemanly and utilitarian science. Under the helm of Sir Joseph Banks (1743-1820), a vast scientific network was constructed around the sites of the Royal Institution, Royal Society, and Kew Gardens. “All three were to play a significant role throughout the nineteenth century, but at that point they were spaces of the landed aristocracy and the upper class…” After Banks’ death, however, these scientific sites gradually began to shed their aristocratic layers. Whereas Banks and his supporters had exploited and reinforced relations of genteel patronage and obligation, a group of reformers—i.e., the “gentlemen of science” and the untilitarians—altered the politics of science. These were the “young Turks” of the nineteenth century, who pushed for reform of aristocratic spaces of science. For these reformers, science was a “professional tool to be used to create a body of knowledge useful in government and in the professions.” This vision of science was in embodied in the founding of the “Godless” University College London in 1827, “which was set up as a secular institution modeled on the universities of Berlin and Bonn, and, unlike Cambridge and Oxford, it opened up its doors to non-Anglicans.”

Banks’ network of scientific sites also underwent metamorphosis under the leadership of new men. At the Royal institution, for example, the chemist William Thomas Brande (1788-1866), who led the Institution from 1813 to 1831, embodied utilitiarian ideals, undertaking a series of activities that gave it the reputation of being a metropolitan powerhouse for the scientific management of social problems. Subsequently, Michael Faraday (1791-1867) had become an important figure by the end of the 1820s, and “Faraday and the Royal Institution were well suited to each other.” The establishment by Faraday in 1825 of the very successful Friday Evening Discourses gave the Royal Institution an even greater public presence. In 1840, the Kew Gardens was transferred to the British government, and thus by the time William Hooker (1785-1865) took charge of it, it was already a public institution. According to Lightman, “Hooker strived to transform it into a center for scientific research as well as a place for the amusement and edification of the nation.” Banks’ Royal Society was a bit more dogged, but by “1848 traditional loyalties to the Crown and Church were replaced by new contractual allegiances based on serve to knowledge and utility to the state.”

Refashioning aristocratic sites of science was only one part of a larger plan. Reformers also sought to create new sites of science. Along with the museum, which, according to Lightman, the “central institution of Victorian science, the “British Association for the Advancement of Science was created in 1831 as a peripatetic organization.” “Embracing natural theology, [members] pointed to a divine order behind both nature and society, and to the role of science as a neutral means for obtaining desirable ends.” And “like the Royal Institution and Kew Gardens, the BAAS reached out to the public.”

But as the founding of University College London makes clear, for some the “reformist inclinations of gentlemen and Utilitarians did not go nearly far enough.” Such thinkers were “enamored with French evolutionary theory,” using “radical Lamarckianism to challenge the Tory-Anglican establishment and argue for the [further] reform of aristocratic institutions.” Other thinkers thought the radicals went too far, particularly Henry Brougham (1778-1868), who attempted to counter radicals with establishing mechanics’ institutes and, more importantly, the Society for the Diffusion of Useful Knowledge (SDUK), which published inexpensive texts intended to adapt scientific material for a rapidly expanding reading public. The latter’s central aim, Lightman tells us, “was to undermine political radicalism with rational information.”

Apparently the radicals had been more effective, for after 1850, a new generation of practitioners arrived on the scene, their aim “included the secularization of nature, the professionalization of their discipline, and the promotion of expertise.” Lightman selects three man that epitomize this new aim: Thomas Henry Huxley (1825-1895), John Tyndall (1820-1893), and Joseph Dalton Hooker (1817-1911). These “scientific naturalists” were “sensitive to the power of place,” and set out to reconfigure, once again, several sites of science. Under Hooker, for example, “a fundamental change took place in Kew’s identity as an institution,” refashioning it into a research space as defined by scientific naturalists. As the mantle of leadership passed from Faraday to Tyndall, the Royal Institution too came to be defined under the rubric of scientific naturalism. And in his biological laboratory in the Science Schools Building in South Kensington, “Huxley was free to teach his students to view nature through secular eyes.” Ironically, the agenda of scientific naturalism, Lightman writes, “emphasized training, expertise, and laboratory research,” and thus led to “an even greater split between the public and professional spaces of science.”

There were, of course, contested spaces and sites of resistance to scientific naturalism. Although Tyndall used his presidential address in Belfast in 1874 to aggressively challenge the authority of Christian clerics, several men—Rayleigh (1884), Salisbury (1894), and Arthur Balfour (1904)—used the BAAS as a platform to deliver their defense of theism and criticism of scientific naturalism. Interestingly, it was the museum, however, that became the key space for “resisting the aims of scientific naturalists.” For example, the Oxford University Museum (1860) was embedded with “the principles of the natural theology tradition in its architecture.” Other museums, including the Natural History Museum in South Kensington, the Hunterian Museum, and the British Museum emphasized the “harmonious relationship between science and religion.” Laboratories and print culture were also generally hostile toward the agenda of scientific naturals, particularly the labs of the North British physicists and British publishers George Routledge (1812-1888) and Thomas Jarrold (1770-1853), who published a “steady stream of books containing theologies of nature that challenged the scientific naturalists’ secularized perspective.”

Lightman inspection of the places of London science reveals how different scientific sites operated different epistemes. These sites, and many others, were not simply physical locations; they were, as Lightman shows, symbolic urban places whose occupants were aligned for or against aristocratic privilege, radical reform, or scientific naturalism.

Charles W.J. Withers’ “Scale and the Geographies of Civic Science: Practice and Experience in the Meetings of the British Association for the Advancement of Science in Britain and in Ireland, c. 1845-1900” examines the geographical mobility of the BAAS, with a particular concern over what he calls “nineteenth-century civic science” in Britain. He asks, “how did the BAAS experience vary locally, by and perhaps even within, different towns?”

Withers begins by considering BAAS officers’ decision making process for choosing a host. This was a complex process that involved, among other things, apprehending “the scientific capacity of the location, the educational advantages for the local inhabitants, and the financial support that local civic bodies would give the association.” What is more, “hosting an annual meeting involved at least a three-year cycle of negotiations (often more) between BAAS General Committee officers and representatives of local civic and scientific bodies.”

The most interesting section of Withers’ chapter is his account of private responses to BAAS meetings, or how he terms it, “experiencing civic science.” According to Withers, “women formed a large part of BAAS audiences, especially from midcentury.” The diaries of Agnes Hudson, Caroline Fox, and Lady Caroline Howard are particularly instructive. Hudson attended the 1875 Bristol and 1879 Sheffield meetings, but complained about the intolerable heat because of the “insufficiently ventilated building” and the overcrowding. The Anthropological Section sessions in particular were so crowded that “several persons sat on the mantelpiece.”  According to Withers, “attendance at a BAAS meeting could be tiring, require a change of clothes (for a women perhaps more than for men), and last well into the evening.” Fox attended meetings in 1836, 1837, 1852, and 1857. She too recalls the crowds at certain meetings, succeeding in gaining admittance only “by most extraordinary muscular exertions.” She also recalls problems of audibility: “people made such a provoking noise, talking, coming in, and going out, opening and shutting boxes, that very little could we hear.” Howard likewise complained about her inability to hear the speakers at the geography session at the 1857 Dublin meeting, particularly famous African explorer David Livingstone, who spoke “in a whisper.”

The BAAS promoted what Withers calls “civic science”—science as a public good, a unifying, moral vision under the banner of scientific and political neutrality. But particulars of this mission were moderated by the different urban and institutional contexts where the BAAS convened. “Different practices in different setting—waiting for a lecture whose timetabling and audience behavior meant that hearing particular topics was a matter of luck, conversing with one’s fellows, viewing specimens without comprehension, going to lectures to seek sensation or instrumental mediation through lantern slides not understanding of scientific principles—were all elements in the making and reception of association science.”

Diarmid A. Finnegan shares a similar emphasis on the location of locution. As he writes in his “Placing Science in an Age of Oratory: Spaces of Scientific Speech in Mid-Victorian Edinburgh,” in the mid-Victorian period, “logic and location along with propositions and performances were tightly bound together in the delivery of science lectures.” He supports his claim with a close examination of the Edinburgh Philosophical Institution (EPI). According to Finnegan, in EPI meetings, “science no less than any other subject was knotted together with local conditions, politics, and protocols.” The cultural significance of public speech during the Victorian period necessitated that “science had to sound right as well as look right to retain its place as part of intellectual culture in mid-nineteenth-century urban Britain.”

Founded in 1846, the EPI attracted many eminent speakers, including Ralph Waldo Emerson, John Ruskin, John Hutton Balfour, David Brewster, Samuel Brown, Hugh Miller, Edwin Lankester, Thomas Henry Huxley, John Tyndall, John Pringle Nichol, John Henry Pepper, John Lubbock, and Benjamin Waterhouse Hawkins. EPI lectures generally took place in Queen Street Hall, which was owned by the United Presbyterian Church. Much like the BAAS meetings, inadequate facilities, overcrowding, and poor acoustics were common maladies. But in addition to these “external” forces, internal forces pressed upon the lecturers. According to Finnegan, “tacit codes of behavior also applied to lecturers.” Indeed, “what could and could not be heard in the lecture hall was conditioned by the regulative ideals associated with the notion of a free platform.” Thus lecturers had to “position their scientific discourse” by taking in consideration “etiquette, aesthetics, and moral probity.”

This “positioning” is best seen in the 1850s popular lectures of Hugh Miller and George Wilson. Both Miller and Wilson “integrated literary charm and moral sobriety” into their scientific lectures. More importantly, both “held in common a commitment to creedal Christianity.” In his EPI lectures, Miller sought to “refute the charge that science lacked poetic power.” What is more, science affirmed theological orthodoxy: it was Miller’s belief, Finnegan writes, “that nature’s hieroglyphics, properly deciphered, would bring to light God’s own artistry and that the basis for the substantial harmony between geology and poetry was the identity between the aesthetic and musical sense in the mind of God and the mind of man.” This literary mode—modeled after Thomas Carlyle, albeit without his pantheism—appealed to the audience of the EPI. Similarly, Wilson’s lectures exhibited “a high strain of moral eloquence that linked every topic to man’s joys, and sorrows, and deep enduring interests.” As Finnegan puts it, “the earnest moral tone, the personal intensity of delivery, and the Carlylean tenor that characterized the scientific speech of Wilson and Miller resonated with the general intellectual and aesthetic sensibilities of members of the EPI.”

By the 1860s, however, there was a dramatic “change in the character of science lectures given to the EPI.” In the geology lectures by David Page, for example, he “actively opposed attempts to present science as a handmaiden to theology.” A more striking secular note were also delivered by Tyndall, Huxley, Lubbock, and Hawkins. Unsurprisingly, Huxley “caused the greatest stir both within and outside the institution…provoking the opprobrium of Edinburgh’s evangelical press.” All except for Hawkins, (who only spoke again in 1887) never returned to the EPI. The lectures of these men caused such a stir, that remaining science lectures of the decade had a decidedly more “combative and controversial tone.” There were even charges that the EPI had “contravened its own principles” of moral sobriety. These science lectures of the 1860s were “frequently suspected of instilling moral confusion and of severing the link between intellectual talk and moral culture.”

David N. Livingstone’s “Politics, Culture, and Human Origins: Geographies of Reading and Reputation in Nineteenth-Century Science” explores how “scientific meanings are imagined and reimagined through encounters with scientific texts and treatises,” drawing our attention particularly “to the cultural politics of origin narratives, whether creationist or evolutionary, throughout the nineteenth century.” Here the characterization of reputation become critical. Livingstone’s case study of Isaac La Peyrère (1596-1676), the father of anthropological polygenism, assessed as either heretic, hero, or harmonizer, demonstrates how persons, and their ideas, were made to stand for different things at different times and places.

Livingstone’s varieties La Peyrère, a “reputational geography,” is simply a prerequisite for his discussion of the varieties of Darwinism in the nineteenth century. In the final section of his chapter, Livingstone triangulates “a number of Irish readings of evolutionary theory,” namely Dublin, Belfast, and Londonderry. Presbyterian layman and distinguished Trinity College anatomist, Alexander Macalister, for example, although unconvinced about psychic, religious, moral evolution, he was nevertheless “enthusiastic about the power of natural selection to account for both animal and human physiological evolution,” and thus embraced Darwin’s Descent of Man. Yet another Presbyterian, professor of biblical criticism and later president of Queen’s College, Josiah L. Porter, “could find no empirical evidence in supper of the ‘essence’ of Darwin’s theory ‘that all forms of life, from the humblest zoophyte up to man, have evolved from one primordial germ.’” And yet another fellow Presbyterian, professor of mathematics and natural philosophy at Presbyterian Magee College, John Robinson Leebody, praised Darwin’s theory as the “most complete attempt to prove with absolute continuity of the chain which connects man with the lower animals,” but that it also reveals its empirical dearth and therefore “we must decline, in the interests of science, to accept the Darwinian view of the origin of man’s body, until it is proved.”

More than personal predilection and professional preoccupation directed these judgments. According to Livingstone, the spaces these men occupied, in Dublin, Belfast, and Londonderry, “critically implicated both in the stances they assumed and the rhetorical tones they adopted in their public declarations.” Macalister, for instance, was not only a part of progressive set of scientists congregating around Trinity College, he was also part of a local Presbyterian community that fostered a particularly “secular” education in opposition to a Catholic “religious” one. Porter’s judgment was no doubt a reaction to Tyndall’s presidential “Belfast Address” in 1874. Indeed, Porter’s comments on Darwin were collected, along with others, into a single volume “intended to rebut the president’s attack.” And again, Leebody occupied a different rhetorical space. As president of Magee College, he too wanted to distance his institution from Catholic pedagogy, once quipping that “there is no Protestant Mathematics or Chemistry as distinguished from that taught in a Catholic college.” In conclusion, “the geography of Darwinism in Ireland,” Livingstone suggests, “was the compound product of long-standing feuds over who should control the curriculum, the iconic impact of Tyndall’s attack, the institutional spaces occupied by commentators, and the relative security local spokesmen felt in their own sense of cultural identity.”

And finally Jonathan R. Topham’s “Science, Print, and Crossing Borders: Importing French Science Books into Britain, 1789-1815” demonstrates the critical importance of print. There are a number of discrete, but nevertheless inextricably linked, geographies operating here, including publishers, booksellers, translators, and editors. Key figures in the Franco-British book trade were Arnaud Dulau (1762/3-1813), Thomas Boosey, who established his Boosey & Company in London in about 1792, and most important Joseph De Boffe (1749/50-1807). De Boffe himself was the son of a French bookseller based in Fribourg, Switzerland. De Boffe followed in his father’s footsteps, and soon after moving to London he became a “significant figure in the supply of French-language publications.” Topham notes that “a catalogue issued by De Boffe in 1794 listed more than twenty-five hundred French books, many relating to the arts, sciences, travels, and natural history.”

The “decisions and activities of” De Boffe and others, Topham argues, demonstrates how “technicians of print affected the availability of French science books in Britain.” This is most visible in periodicals. The Monthly Review, Critical Review, Anti-Jacobin Review, British Critic, Analytical Review, Edinburgh Review, and Quarterly Review all included a section of reviews and notices on foreign literature, some, such as the Monthly seeking to “provide a regular retrospect of French literature.”

After discussing booksellers and periodicals in general, Topham turns specifically to four case studies of imported French science books: (1) Antoine Lavoisier’s Traité élémentaire de chimie, présenté dans un ordre nouveau et d’après les découvertes modernes (1789); (2) Pierre-Simon Laplace’s Traité de mécanique celeste (1799-1805); (3) Jean-Baptiste Lamarck’s Philosophie zooloqique (1809); and (4) Georges Cuvier’s Recherches sur les ossemens fossils (1812). In this section Topham introduces a cast of characters, including booksellers, translators, publishers, and reviewers. Despite the revolutionary war, and the subsequent mutual blockade between Britain and France, these events had little impact on the importation of French science books and their reading and reviewing in public periodicals. What becomes clear in these case studies, as Topham argues, “far from being automatic” the mechanism of publications “require the agency of a wide range of people, including not only scientific practitioners but also technicians of scientific print, often motivated by financial considerations.” It shows, in short, that all knowledge-making is a situated process, and thus “renders problematic any assumptions that scientific knowledge, either in its words or in its pictures, simply diffuses across the globe in a straightforward manner. Disruption of supply, translation between languages, selective reviewing of scientific literature, the local interpretations of meaning, all point to the salience of textual geography in the study of the forms of its representation in the movement of scientific knowledge.”

These essays and others in Geographies of Nineteenth-Century Science convincingly show “the placed nature of science’s making and reception”—its “practices and forms of communicative action are always grounded in particular settings, and questions regarding site, institutional organization, and social relationship in place will for that reason always continue to matter to an explanation of science’s cognitive content and variable reception.”

Laura Otis’ Literature and Science in the Nineteenth Century: An Anthology (2009)

Laura Otis - Literature and Science in the Nineteenth CenturyIt is perhaps fitting that my 100th post on this blog should be Laura Otis’ Literature and Science in the Nineteenth Century: An Anthology (2009). My research began in September with historiographies of the Scientific Revolution, only to converge in recent months on nineteenth-century narratologies of “conflict” between religion and science, which, I believe, depended crucially on literature and the stories nineteenth-century figures told about what counted as “religion” or what counted as “science.” To this end, Otis’ collection of excerpts from novels, plays, poetry, essays, scientific articles, lectures, treatises, and textbooks written throughout the course of the nineteenth century offers a solid starting place.

At the 1833 meeting of the BAAS, William Whewell proposed the neologism “scientist” for investigators who until then had been known as natural philosophers. In the nineteenth century, “science” came to signify the study of the natural physical world. According to Otis, “the notion of a split between literature and science, of a gap to be bridged between the two, was never a nineteenth-century phenomenon.” Indeed, “the two commingled and were assessable to all readers.” Like Sleigh, Otis notes that “scientists quoted well-known poets both in their textbooks and in their articles for lay readers, and writers…explored the implications of scientific theories.” “As a growing system of knowledge expressed in familiar words, science was in effect a variety of literature.” In nineteenth-century periodicals, magazines, and newspapers, “articles on scientific issues were set side-by-side with fiction, poetry and literary criticism.”

At the same time, however, “as Western economies became more industrial and agricultural, educational reformers protested that the traditional curriculum of Greek and Latin literature…failed to prepare the new professional classes for modern life.” T.H. Huxley, for example, “claimed provocatively that for the purpose of attaining real culture, an exclusively scientific education is at least as effectual as an exclusively literary education.” This insistence on the cultural centrality of science disturbed English poet and literary critic Matthew Arnold (1822-1888), who protested that Huxley was defining literature much too narrowly. According to Arnold, “all knowledge that reaches us through books is literature.”

Otis intends this anthology “to illustrate both common and divergent patterns in the techniques of nineteenth-century authors.” Even a cursory reading of successful scientists in the nineteenth century shows that “most good scientists were also imaginative writers. The ability to express oneself articulately was essential for the communication and progress of science.”

Because scientific knowledge was spread most effectively through the printed word, “to win the confidence of educated readers, nineteenth-century scientists made frequent references to the fiction and poetry of the day and to that of earlier generations.” And by doing so, they declared an affinity with respected authors and, implicitly, with their readers. According to James Secord, for example, Charles Lyell’s Principles of Geology (1830-1833) “won a wide readership not just because he provided convincing evidence for gradual geological change but because he used literary references to Milton, Scott, and Wordsworth to present geology as a respectable, gentlemanly pursuit.”

At its most fundamental level, Otis argues, “scientific explanation of the world is akin to processes of reading and writing.” Whether studying skull structures, geological layers, or bird populations, scientists were deciphering sign systems and interpreting texts.

Images render vague ideas more clearly. Indeed, to complement his factual evidence for evolution in The Origin of Species, Charles Darwin offered readers a series of “imaginary illustrations,” scenes which encourage them to picture natural selection at work. “When Darwin presented his theory of natural selection, he knew that readers were used to such voyages [imaginary voyages and imaginary travelers were very popular in nineteenth-century periodicals], and he drew on their capabilities to re-create the evolutionary process. Like novelists who took readers into imaginary worlds, Darwin appealed to his readers to imagine the development of life as he described it.”

But “it would be inaccurate,” Otis warns us, “to depict nineteenth-century literature as a realm in which the imagination had comparatively free reign. As we have seen with Sleigh, novelists of the period greatly concerned themselves with the latest scientific “facts.”

Similarly, “nineteenth-century scientists found they could be more persuasive by using the storytelling techniques of fiction writers.” Darwin, who took a volume of Milton’s poems with him on his five year voyage on the HMS Beagle, described the struggle for life through references to Milton’s poetic images. “Milton’s poems allowed Darwin to imagine the creation as a long, continuous process, nurturing his developing concept of evolution.”

For most of the nineteenth century, scientists and literary writers shared a common vocabulary and common literary techniques. But as Otis argues, “it is also crucial to recognize that the same subjects occupied both scientific and literary writers.” The quest for origins developed simultaneously in studies of language, geology, zoology, and numerous other fields. Questions of individuality also preoccupied both scientist and writer. And more narrowly questions about what it meant to be human disturbed both nineteenth-century writers and scientists. “The rapid development of industrialization, physiology, evolutionary theory, and the mental and social sciences challenge the traditional view of people as uniquely privileged beings created in the divine image.”

Otis’ anthology ultimately “invites readers to explore the fertile exchange of images, metaphors, and narrative techniques among writers who today—though not in their own day—are regarded as members of very different disciplines.” It aims to “reveal dialogues and confluences.”

The selected bibliography following the introduction is indispensable, including sources on mathematics, physical science, and technology; sciences of the body; evolution; sciences of the mind; and the social sciences, which are all presented as major themes in the text. Also follows is a helpful chronology of events and publications from 1800 to 1900.

Literature and Science

The anthology begins with a prologue on Literature and Science, with excerpts from Edgar Allen Poe’s Sonnet—To Science (1829), who lamented over the dangers of science posed on poetry and creativity: “why preyest thou thus upon the poet’s heart, vulture, whose wings are dull realities?” There follows John Tyndall’s Belfast Address (1874), commanding scientists to “wrest from theology, the entire domain of cosmological theory,” yet maintaining that “some of the greatest [scientific] discoveries have been made under the stimulus of a non-scientific ideal.” Indeed, Tyndall called imagination “the mightiest instrument of the physical discoverer.” Thus “science desires not isolation, but freely combines with every effort towards the bettering of man’s estate.” Also included in this prologue are excerpts of the debate between Thomas Henry Huxley, from Science and Culture (1880), and Matthew Arnold, from Literature and Science (1882) mentioned earlier in introduction.

Mathematics, Physical Science, and Technology

Each collection of essays is guided by a particular theme, and here Otis offers helpful introductory comments. The guiding theme for the first set of writings, for example, is Mathematics, Physical Science, and Technology. In Mathematics, Otis argues that both mathematicians and literary writers used analogies, metaphors, and the malleability of language to convey meaning to new scientific discoveries. Here she includes excerpts from Ada Lovelace’s Sketch of the Analytical Engine (1843); Augustus de Morgan’s Formal Logic (1847); George Boole’s An Investigation of the Laws of Thought (1854); John Venn’s The Logic of Chance (1866); Lewis Carroll’s Through the Looking-Glass (1871) and The Game of Logic (1886); George Eliot’s Daniel Deronda (1876); and H.G. Wells’ The Time Machine (1895).

In the Physical Science, Otis claims that “both physicists and literary writers challenged the notion that humankind could anticipate a more civilized, prosperous future.” In introducing theories of gradual energy loss, some asked readers to “conceive of a being” who selectively opens portals between two compartments. Vision also became “a key metaphorical vehicle in nineteenth-century writing.” Imaginative journeys among the stars and within electrical and magnetic forces, invisible phenomena such as X-rays and literary allusions were all used to explain advances in the physical sciences. Otis includes excerpts from Sir William Herschel’s One the Power of Penetrating into Space by Telescopes (1800); Thomas Carlye’s Past and Present (1843); Sir John Herschel’s Outlines of Astronomy (1849); Michael Faraday’s Experimental Researches in Electricity (1839-55) (1852); William Thomson, Lord Kelvin’s On the Age of the Sun’s Heat (1862) and The Sorting Demon of Maxwell (1879); John Tyndall’s On Chemical Rays, and the Light of the Sky (1869) and On the Scientific Use of the Imagination (1870); James Clerk Maxwell’s Theory of Heat (1871), To the Chief Musician upon Nabla: A Tyndallic Ode (1874), Professor Tait, Loquitur and Answer to Tait (1877), and To Hermann Stoffkraft (1878); Thomas Hardy’s Two on a Tower (1882); Richard A. Proctor’s The Photographic Eyes of Science (1883); and Wilhelm Conrad Roentgen’s On a New Kind of Rays (1895).

In Technology (or Telecommunications?), Otis relates how Samuel F.B. Morse’s Letter to Hon. Levi Woodbury, Secretary of the US Treasury, 27 September 1837 presented his electromagnetic telegraph as “a national nervous system.” An anonymous reviewer from Westminster Review (1878) on The Telephone also utilized analogies of the human body. According to Otis, “for nineteenth-century inventors the resemblance between sensory organs and technical devices was more than an informative metaphor; it inspired the design of communications devices.” Also included in this section is Mark Twain’s satire, Mental Telegraphy (1891), “in which a narrator argues that thoughts can be transmitted from mind to mind.” Otis also includes excerpts from Rudyard Kipling’s The Deep-Sea Cables (1896) and Henry James’ In the Cage (1898), the latter arguing with prescience that “the telegraph fails to deliver the knowledge or relationships it promises, and the feeling of connectedness offered by technological communications proves illusory.”

In the final section, Bodies and Machines, Otis observes that “as mechanized industry developed, writers from all fields compared bodies to machines.” This, of course, is not unique to nineteenth-century thinkers. But unlike previous analogies, nineteenth-century Europe witnessed the rapid development of a great variety of technologies, encouraging “all those who used it to rethink their notions of mind, body, and identity.” Excerpts are drawn from Charles Babbage’s On the Economy of Machinery and Manufactures (1832); Charles Dickens’ Dombey and Son (1847-8); Hermann von Helmholtz’ On the Conservation of Force (1847); Samuel Butler’s Erewhon (1872); and Walt Whitman’s To a Locomotive in Winter (1876).

Sciences of the Body

The second theme of writings concerns the Sciences of the Body. “Both the scientific and literary writers represented here,” Otis tells us, “do their utmost to take readers into a scene so that the readers can experience it for themselves.” On Animal Electricity, Luigi Galvani’s De Viribus Electricitatis (1791) “offers vivid pictures of fluids circulating through tubes” in order to explain the nervous system, identifying “the principle of life” with electricity. Sir Humphry Davy’s Discourse, Introductory to a Course of Lectures on Chemistry (1802) also uses metaphors to describe the usefulness of chemistry. Mary Shelley’s Frankenstein (1818) uses the writings of Xavier Bichat and Galvani in her account of the irresponsible scientist Victor Frankenstein. Walt Whitman’s I Sing the Body Electric (1855) uses similar language of electromagnetism.

In Cells and Tissues and Their Relation to the Body, Otis brings together writings from Xavier Bichat’s General Anatomy (1801), who, in studying living tissues, ironically proposed “one must investigate death.” Rudolf Virchow’s Cellular Pathology (1858), using a microcosm-macrocosm analogy, compared the relationship between the cell and the body to that of the individual and society. George Eliot’s Middlemarch (1871-2) likewise viewed “bodies and societies has highly interconnected webs in which one could explain events only by comprehending the relations among individuals.” George Henry Lewes’ The Physical Basis of Mind (1877), although critical of “imaginary anatomy” used by some scientists, nevertheless argues, like Tyndall and Eliot before him, “that imagination played a central role in scientific thinking.”

On Hygiene, Germ Theory, and Infectious Diseases, Mary Shelley’s The Last Man (1826), using the metaphor of fire, “presents disease as something that both can and cannot be contained.” Sir Edwin Chadwick’s An Inquiry into the Sanitary Condition of the Labouring Population of Great Britain (1842) “demands that readers confront not just the sights but the nauseating smells of the slums…organizing his narrative so that the reader follows eye-witnesses into industrial cities’ forbidding alleys.” But having said this, Chadwick also rejects Shelley’s representation of diseases as an uncontrollable force in nature.  Edgar Allan Poe’s The Mask of the Red Death (1842) also conveys a growing understanding of individual identity and responsibility in mitigating the spread of infectious diseases. Oliver Wendell Holmes’ The Contagiousness of Puerperal Fever (1843), Louis Pasteur’s On the Organized Bodies Which Exist in the Atmosphere (1861) and Sir Joseph Lister’s Illustrations of the Antiseptic System (1867) argue that bacterial infections can be greatly reduced, simply by “covering wounds, sterilizing instruments, and washing one’s hands.” The anonymous author of Dr Koch on the Cholera (1884) in The Lancet, likewise, argued that people are “responsible for their diseases not because they have incurred divine wrath but because they have failed to follow hygienic laws.” And H.G. Wells’ The Stolen Bacillus (1895) invites readers “to look through a microscope with his character so that they can see the cholera bacillus as a bacteriologist sees it.”

The last section in this collection of writings concentrates on Experimental Medicine and Vivisection, calling for greater responsibility and accountability on the part of scientists themselves. Excerpts from Claude Bernard’s An Introduction to the Study of Experimental Medicine (1865) and Sir James Paget’s Vivisection: Its Pains and Its Uses (1881) argue that “experiments must be responsibly designed.” Frances Power Cobbe’s Vivisection and Its Two-Faced Advocates (1882) quotes physiologists’ own metaphorical descriptions of a damaged brain “as a ‘lately-hoed potato field’…to alert readers to the ‘real’ nature of their experiments.” More polemically, Wilkie Collins’ Heart and Science (1883) and H.G. Wells’ The Island of Dr Moreau (1896) depict arrogant, sadistic scientists, “those who fail to think ahead and consider the value and consequences of their experiments.”

Evolution

The third theme of Otis’ anthology focuses on Evolution. “Forced to describe an inaccessible past, scientists and literary writers recreating natural history appealed to their readers’ imagination.” The challenge, of course, was to make “readers picture a thousand, ten thousand, or a million years of gradual change, periods that for most people were almost unimaginable.”

Under the section of The Present and the Past, selections from Jean-Baptiste de Lamarck’s Zoological Philosophy (1809) describes how “valuable new traits and habits could be directly transmitted to the next generation,” thus appealing to “people’s sense of self-worth.” Sir Charles Lyell’s Principles of Geology (1830-3) “compared himself to a historian, criticizing his opponents’ theories in terms that echo reviews of bad fiction.” Lyell was also anxious to appeal to conservative readers, and thus wrote his “story in the language of educated gentlemen, illustrating his ideas with quotations from Virgil, Horace, Shakespeare, and Milton.” William Whewell’s Philosophy of the Inductive Sciences (1840) relates the limitations of the English language when accounting for both space and time. According to Whewell, “the rhythm and metre of language suggested time’s passage far better than the spatial metaphors that language offered.” Alfred, Lord Tennyson’s The Princess (1847) challenges the notion that a fragmented past constitutes a coherent history: “Like the portraits of ancestors, fossils alone can tell no story. It takes imagination, not just memories, to create a meaningful narrative.” Charles Darwin’s The Origin of Species (1859) reminded readers of how breeders produced new animals, “summoning images from their memories.” What is more, despite numerous observations to support his theory, Darwin knew—ironically—he needed to tell readers a story for them to accept it as real. George Eliot’s The Mill on the Floss (1860) suggests, like geologists and naturalists, “novelists are retelling lost tales, recovering lives and events whose traces have been obliterated…[presenting] the relations between present and past in a manner quite similar to Lyell’s.” Thomas Henry Huxley’s On the Physical Basis of Life (1869) cites French novelist and playwright Honoré de Balzac (1799-1850), known for his interests in the relationship between animals (especially human beings) to their environment. According to Otis, “cultural debates about evolution encouraged observations of people’s similarity to animals.” Olive Schreiner’s The Story of an African Farm (1883), for example, “presents a scenario in which noble labour ends ‘in nothing’ because of an urge people and animals share.” Similarly, George John Romanes’ Mental Evolution of Man (1888) argues that “people and animals differ only in degree,” thus challenging the “uniqueness of the human soul.”

On Individual and Species, “in the intense debates that evolutionary theory provoked, the consequences for individual identity become immediately apparent.” August Weismann’s Essays on Heredity (1881-5), for example, argued against Lamarck, “individual organisms lived and died without influencing their ‘immortal’ germ plasm. Here we also have excerpts from Alfred, Lord Tennyson’s In Memoriam (1850), who used language to immortalize life that nature, “red in tooth and claw,” constantly threatens to obliterate. Herbert Spencer’s Principles of Biology (1864-7) argued that “selfhood made no sense on an evolutionary scale…the idea of a unique, representative individual loses its meaning” under evolutionary theory. Or as Otis puts it, “the human concept of individuality had no basis in nature. It was rooted in culture and was being imposed on nature by writers who failed to see humanity from a broader, evolutionary perspective.” Thomas Hardy’s Hap (1866) and A Pair of Blue Eyes (1873) “subversively suggests that it is more comforting to think of a world directed by a vengeful god than a world without direction or purpose.” Ernst Haeckel’s The Evolution of Man (1874) sees organisms as “texts in which one could read the past.” Samuel Butler’s Unconscious Memory (1880) “described the individual as a ‘link in a chain,’ a body that contained and often re-enacted the past.” Emily Pfeiffer’s Evolution (1880) and To Nature pictures nature as “dread Force,” churning the universe with mindless motion. May Kendall’s amusing, yet moving, Lay of the Trilobite (1885) “invites the reader to imagine life from the perspective of an extinct animal.” And Gerard Manley Hopkins’ Nature is a Heraclitean Fire (1888), like Tennyson’s In Memoriam, “resists science’s claim to replace religion as a provider of inspiration and enlightenment.”

In the final section on Sexual Selection, we see how both scientists and literary writers continued to reinforce cultural renderings of sex. Jane Austen’s Pride and Prejudice (1813) “suggested how much was at stake—socially and economically—in the search for a wealthy husband.” Charles Darwin’s The Descent of Man and Selection in Relation to Sex (1871) provided “anthropomorphic descriptions in which females choose their mates,” but when describing human beings, “Darwin’s account reinforced cultural readings of female desire as a dangerous force that threated the social order.” This is how Otis puts it: “When women did take the active role and select their mates, they were acting in a primitive fashion, revealing people’s animal origins.” Henry Rider Haggard’s She (1887), Constance Naden’s Natural Selection (1887), and Thomas Hardy’s Tess of the D’Urbervilles (1891) only further confirms these convictions, using Darwin’s theory of sexual selection to “formulate a problem they had long been describing.”

Sciences of the Mind

The forth theme within this magnificent anthology is Sciences of the Mind. According to Otis, the mental sciences emerged slowly, and amid much controversy. One reason for this is because studies of the mind retained much of their philosophical roots. “The main tenet of the nineteenth-century mental physiology, the conviction that the mind and body were interdependent so that any understanding of the mind must be based on neuroanatomical and neurophysiological knowledge, owes a great deal to John Locke’s belief that true knowledge must be gained through experience, and David Hume’s insistence that philosophy be inductive.” During the nineteenth century, the emergence of mental science came at the heels of several combined factors: “an increasing respect for knowledge gained through experimentation; a conviction that the methods of the physical sciences could be applied to other fields; and an idea that minds, like bodies, had evolved and could be scanned for traces of ancestral forms.”

There was, of course, resistance. But resistance came from those who thought the subject matter—namely, human perceptions, thoughts, and behavior—was “inherently subjective.” Mental scientists in turn sought efforts to persuade readers of the validity of their studies. “In their effort to create an authoritative voice,” Otis writes, “they quoted poets whose insights into the mind were culturally respected.”

In The Relationship between Mind and Body, for example, Thomas de Quincey’s Confessions of an English Opium-Eater (1822) describes his sensations after ingesting opium, thus using his “own personal testimony as ‘evidence’…of how changes to the body could alter one’s perceptions.” Marshall Hall’s On Reflex Function (1833) “demonstrated that the body could respond to stimuli through spinal reflexes alone.” James Cowles Prichard’s A Treatise on Insanity (1835) offers portraits of morally insane individuals through “histories, personal idiosyncrasies, and detailed narratives similar to those associated with fictional characters.” Nathaniel Hawthorne’s The Birthmark (1846) argues that “mind could affect the body,” and that “the body” was a mental construct, “subject to the projections…of the mind.” Herman Melville’s Bartleby the Scrivener (1856) “suggested the ways to describe the effects of food and alcohol on behavior, illustrating the complex interplay of constitution and environment.” Thomas Laycock’s Mind and Brain (1860) argues that both hemispheres of the brain are now seen as the seat of “teleorganic processes” and “noetic ideas” of the mind. Mary Elizabeth Braddon’s Lady Audley’s Secret (1862) “depicts a woman tainted by hereditary madness and is at time so suspenseful that it nearly maddens the reader.” S. Weir Mitchell “explored the mental and physical roots of personal identity by studying his patient’s phantom limb experiences,” illustrating such experiences in his fictional patient of The Case of George Dedlow (1866). Henry Maudsley’s Body and Mind (1870) observed how women’s reproductive system “powerfully influenced their mental state.” William B. Carpenter’s Principles of Mental Physiology (1874) contended that the interplay between mind and body was extremely complex, “so that no one could define no clear boundary between voluntary and involuntary phenomena.” And William James’ Principles of Psychology (1890), ever the moderate, attempts to steer a middle-way between the “associationists” and “spiritualists” account of our mental life, for both positions, in his estimation, are found wanting. James says, “The spiritualist and the associationist must both be ‘cerebralists,’ [his emphasis] to the extent at least of admitting that certain peculiarities in the way of working their own favorite principles are explicable only by the fact that the brain laws are a codeterminant of the result.”

“If the human mind was housed in a bodily organ, the brain, then, structural studies of that organ might yield valuable information about its function.” In this sense both Physiognomy and Phrenology became a “science of reading.” As skilled interpreters of bodily texts, George Combe’s Elements of Phrenology (1824) and Johann Gaspar Spurzheim’s Phrenology in Connection with the Study of Physiognomy (1826) argue that the relative size of the brain’s component parts act as indicators of potential character and behavior. Novels such as Charlotte Brontë’s Jane Eyre (1847) and George Eliot’s The Lifted Veil (1859) “integrated the language of phrenology into physical descriptions of their characters so as to play on readers’ assumptions.”

According to Otis, Mesmerism and Magnetism “gave the subject’s own testimony much greater importance.” Chauncey Hare Townsend’s Facts in Mesmerism (1840), besides quoting both “Coleridge and Newton side by side” to support his claims, sees mesmerism as another technique for exploring the mind. John Elliotson’s Surgical Operations without Pain in the Mesmeric State (1843) viewed his patients as both object and subject. “When literary writers used the same kind of detail, they sometimes convinced readers their imaginary patients were real,” such as in Edgar Allen Poe’s Mesmeric Revelation (1844). Turning to mesmerism to relieve her chronic pain, Harriet Martineau’s Letters on Mesmerism (1845) used “precise visual descriptions and innovative metaphors her readers would have encountered in good realist fiction.” James Esdaile’s Mesmerism in India (1847) reinforced fears of mind control in his reports of mesmerism in India. Robert Browning’s Mesmerism (1855) suggested that “both imagination and mesmerism offered opportunities for controlling the world around one.” And Wilkie Collins’ popular mystery novel The Moonstone (1868) transposed Esdaile’s findings into the British context.

In Dreams and the Unconscious, when Hall “demonstrated that the body could respond to stimuli through spinal reflexes alone,” scientific studies of the “unconscious mind” quickly emerged. These studies provoked wide interest in literary writers as well, such as Charlotte Brontë’s When Thou Sleepest (1837). Frances Power Cobbe’s Unconscious Cerebration: A Psychological Study (1871) also “combines scientific and literary accounts of dreams and sleep.” More importantly, Cobbe proposed that people commit immoral actions all the time in their dreams “without apparent attacks of conscience because consciousness is not needed for thought, and mental activity continues when the will is suspended.” “The existence of an unconscious mind that spoke when the will was relaxed suggested the potential for struggle between different parts of human consciousness,” as memorably played in the fictional case study of Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr Hyde (1886). Finally, August Kekulé’s Address to the German Chemical Society (1890) advised his listeners to “‘learn to dream,’ suggesting that rather than forging scientific ideas, reason might destroy them in the process of emergence.”

And in Nervous Exhaustion, Otis observes how nineteenth-century scientists contended that in an exhausted mind, “the will could no longer control emotional impulses, so that one might fall victim to hysteria.” Oliver Wendell Holmes’ Elsie Venner (1861) shows how “overwhelming environmental pressures can wear out a mind.” S. Weir Mitchell’s Wear and Tear, or Hints for the Overworked (1872) “maintained that women were especially vulnerable to nervous exhaustion.” Interestingly enough, both Holmes and Mitchell “wrote fictional as well as actual case studies to illustrate” their views. But Charlotte Perkins Gilman’s The Yellow Wall-Paper (1892) uses personal experience to challenge such scientific theories, often espoused from male physicians of “high standing.”

Social Sciences

The final theme is Social Sciences. During the nineteenth century, “new discoveries and theories increasingly indicated that human beings were subject to natural laws, so that the societies and legal systems they created might be seen to have a foundation in nature.” Like the mental sciences, “social phenomena had been a subject for philosophers.” And like those before them “while struggling to legitimize their field, early sociologists relied heavily on literary techniques.”

Under Creating the Social Sciences, Otis explains that the social sciences “originated not in the field’s scientific and literary allegiances, whose interplay stimulated its growth, but in the issue of government interference.” As such, “the social sciences attempted to build knowledge in order to control and improve societies.” Interestingly enough, while Jeremy Bentham’s Panopticon (1791) proposed an architectural panopticon, intended for prisons, workhouses, hospitals, and schools, “which allowed government supervisors to control every aspect of their subjects’ lives,” his Manual of Political Economy (1793) “advised governments not to interfere in economic matters.” This contradictory desire for both freedom and control makes sense when one considers whose freedom is being advocated and who needs to be controlled. According to Otis, “every social scientist sought to legitimize a system in which wealthy subjected managed their lives as they chose, but troublesome paupers were managed for their own good.” “If social laws were an extension of natural ones, then poverty was a natural phenomenon and could be viewed as inevitable,” and perhaps even necessary. Thomas Malthus’ An Essay on the Principle of Population (1798) “argued along these lines, proposing that charity, however well-intended, only added to human suffering.” J.R. M‘Culloch’s A Dictionary, Practical, Theoretical, and Historical of Commerce and Commercial Navigation (1832), inspired by Bentham, “offered readers volumes of facts, inscribing knowledge in terms of practical uses rather than intellectual value.” Auguste Comte’s Positive Philosophy (1853) “proposed that human thought had developed in distinct stages, progressing from the theological to the metaphysical to the scientific.” Charles Dickens hoped his novels, such as Bleak House (1852-3) and Hard Times (1854), would “stimulate social reform.” John Stuart Mill’s Utilitarianism (1861), like Bentham, advocated a “society that would please as many members [i.e. the wealthy elite] as possible.” And Thomas Hardy’s Jude the Obscure (1895) depict “overpopulation in a tragic, despairing light, as a biological fact that no social initiative can overcome.”

Under Race Science, Otis observes that imperial expansion “stimulated naturalists’ efforts to classify unknown plants and animals,” ultimately “encourage[ing] anthropologists to categorize human beings” as well. Both Robert Knox’s The Races of Men (1850) and Sir Francis Galton’s Inquiries into Human Faculty and Its Development (1883) set out a “racial science” of eugenics, which presented the “supplanting of one people by another as a natural, even compassionate process.” Arthur Conan Doyle’s The Yellow Face (1894), however, questions the validity of racial science, suggesting that racial characteristics are often “projected onto subjects by observers.”

In Urban Poverty, an excerpt from Friedrich Engels’ The Condition of the Working Class in England (1845) argues that “the rich have consciously constructed their city so that its leading citizens never see the slums in which their employees live.” Henry Mayhew’s London Labour and the London Poor (1851) and Walter Besant’s East London (1899) “described urban problems by creating semi-fictional protagonists, inviting readers to hear the poor ‘speak with their own voices.’” Elizabeth Gaskell’s North and South (1855) suggests that “impoverished workers frightened members of the middle classes.” Matthew Arnold’s East London and West London (1867) expressed the desire to “make middle-class readers see and hear the poor.” Thus J.W. Horsley’s Autobiography of a Thief in Thieves’ Language (1879) “envisioned himself a translator, converting the argot of the very poor into a language his readers would understand.” And George Bernard Shaw’s Mrs Warren’s Profession (1898) reinforces Engel’s claim that poverty sustains the wealth of the elite by focusing on an “unbreakable bond between the rich and the poor, implying that even the highest intellectual work is sustained by the sale of the human flesh.”

And the final section to this anthology ends, fittingly, with Degeneration. “When social scientists appropriated Darwin’s natural selection hypothesis…many began to attribute vice to hereditary factors.” Excerpts from Cesare Lombroso’s The Criminal Mind (1876) argues “that a third of all criminals were physical and moral degenerates who had reverted to earlier stages in human development.” Such studies “encouraged scientists all over the world to look for signs of inborn criminality.” George Gissing’s The Nether World (1889) relies heavily on French psychologist Benedict Morel’s argument that mental illness is the accumulation of successive generations of poor urban dwellings, malnutrition, bad air, alcohol, tobacco, ultimately leading to degeneration. Degeneracy was not restricted to the poor, as Oscar Wilde’s The Picture of Dorian Gray (1890) paints a picture of degeneracy among society’s most privileged members. Max Nordau’s Degeneration (1892) argues that “modern stresses like railway travel and urban crowding were overtaxing people’s nervous systems, leaving them unfit for the demands of everyday life.” Sarah Grand’s controversial novel, The Heavenly Twins (1893), depicts degeneration as an avoidable process, proposing that unfit Europeans should be forbidden from breeding, in the interest of maintaining an intelligent, physically healthy population. And Bram Stoker’s Dracula (1897) likewise sees a “dreaded emasculation as a literal draining.”

A cross-pollination of novels, scientific essays, poems, and textbooks, Laura Otis’ Literature and Science in the Nineteenth Century clearly demonstrates the “feedback loop” of influence between literary and scientific writers.

A Brief Note on Cambridge’s History of Science Volume VI : Modern Life and Earth Sciences

Cambridge History of Science 6Perhaps the most engaging—and perhaps most relevant for my current research interests—installment of this series is Peter J. Bowler and John V. Pickstone’s (eds.) The Cambridge History of Science Volume VI: Modern Life and Earth Sciences (2009). This volume seeks to present an “overview of the development of a diverse range of sciences through a period of major conceptual, methodological, and institutional changes.” Carefully arranged and edited, the work is, nevertheless, “representative,” and “by no means encyclopedic.”

Bowler and Pickstone begin with an introduction on the history of science. Traditional approaches routinely linked history of science with philosophy of science (i.e., the study of the scientific method and the epistemological problems generated by the search for objective knowledge of nature), which was “invariably done by hindsight, using modern interests to determine the value of past science, often thereby doing violence to what the [contemporary] historian sees as crucial within the very different cultural and social contexts of past eras.” This “internalist” approach thought of the history of science as part of the history of ideas, seeing new theories as “integral to the emergence of new worldviews that had transformed Western culture.”

But scientific knowledge was always part and parcel of “external” forces, be it philosophical, religious, political, or practical. Thomas S. Kuhn’s Structure of Scientific Revolutions (1962) challenged internalist historians to take an interest in the workings of scientific communities, “arguing that the scientific community had to be understood in sociological terms.” As Bowler and Pickstone put it in their introduction, “social pressure helped maintain scientific conformity, and most research was done within paradigms that predetermined the projects that were relevant and the innovations that were acceptable.”

From the beginning, scientists have always held particular religious beliefs, philosophical opinions, and political views, “reflecting the less tangible influence of broader ideologies embedded within the societies within which they live.” Thus the “best modern historiography,” Bowler and Pickstone tells us, “seeks to integrate the ideological contexts with the detailed, technical work” of scientific practice. One of the most important consequences of the contextual approach has been the “recognition among historians that our own perception of the past is shaped by our viewpoint in the present.” For example, “the amount of attention focused on Charles Darwin by historians of evolutionism…reflects English-speaking scientists’ greater commitment to the genetical theory of natural selection as the defining feature of their field.” Such was and is not the case among French and German historians of science. The chapters that follow seek give a rich picture of “multiple dynamic interactions between changing conceptual structures, technical possibilities, and social formations” of life and earth sciences.

The volume is divided into four parts. Part 1, “workers and places,” focuses on “amateurs and professionals” (David E. Allen), “discovery and exploration” (Roy Macleod), “museums” (Mary P. Winsor), “field stations and surveys” (Keith R. Benson), “universities” (Jonathan Harwood), “geological”(Paul Lucier) and “pharmaceutical industries” (John P. Swann), and “public and environmental health” (Michael Worboys). Noteworthy are Allen, Macleod and Winsor’s essays.

Allen recounts the process of professionalization of science. In the early nineteenth century, the “professional” was despised. This aristocratic and upper middle class prejudice was based on the view that “a professional was someone who received money to do something that others did for pleasure, and to put one’s labor up for hire placed one in the position of a servant.” Respectable occupations were limited to “the armed forces, the church, and…branches of the law and medicine.” “So small was the community of science professionals in the pre-1880 era,” Allen writes, “and so slight the difference in outlook between that community and everyone else involved in scholarly pursuits, that the category of ‘professional’ can hardly be of much use for historical analysis.” Rather, there were amateur “researchers,” “practitioners,” and “cultivators.”

That the principles of exploratory settlement were part of an imperial strategy is now obvious, says Macleod. The “process of seeing, mapping, and impressing a European identity on places otherwise ‘unknown to science’ held a compelling fascination” for early explorers and discoverers. Exploration reflected great power rivalries and imperial conquest. “The scientific expedition drew on the language of the military expedition and the heroism of the expeditionary force.” As such, “an active commitment to scientific exploration was, to some, the highest measure of a nation’s claim to civilization.” Thus scientific exploration often came with an imperial presence. Yet “if many scientific expeditions had been imperial in motive and state financed in practice, they would have enjoyed far less public impact had they not been accompanied by expanding networks of collectors and patron and a new thirst for private exploration and discovery.” Exploration and discovery were in fact a “convergence of science, strategy, and commerce.”

Winsor shares Macleod’s emphasis on imperial motives. “During the second half of the eighteenth century, collections of natural specimens rapidly increased in number and size.” This was largely due to imperial exploration and expansion—and exploitation—but “the motives was sometimes scientific curiosity, sometimes competitive vainglory.” Natural history during this period was dominated by the work of Carl Linnaeus (1707-1778) and George-Louis Leclerc, comte de Buffon (1707-1788). Both men “shared the goal of making an inventory of every kind of living thing.” The “Paris model” found in the Muséum d’Histoire Naturelle followed the publications and teaching of Georges Cuvier (1769-1832), and would be imitated elsewhere, “where an avid naturalist teamed up with a generous monarch.”

During the mid- and late-nineteenth century, “all across the globe, wherever Europeans carried their culture and settled in sufficient numbers, natural history museums multiplied.” But at the same time, and perhaps naturally, “contested ideas of proper arrangement had plagued the process of designing the new natural history museum,” particularly in London. At this stage the art of taxidermy became central. Taxidermists William Bullock, Hermann Ploucquet, and Jules Verreaux were known for their theatrical designs: “a tiger wrestling with a boa constrictor, hounds pulling down a stag, and an Arab on his camel beset by lions.” By the late nineteenth century, there were artistic taxidermists commissioned by the British Museum of Natural History, the American Museum of Natural History, the United States National Museum, the World’s Columbian Exposition, and many others. In this sense, Winsor notes, “the museum movement was progressive; that is, that making exhibits more attractive was a good thing.” Whether or not such exhibitions were “scientific” was no longer the concern.

Altogether, the theme that consistently crops up in the essays of Part 1 is the profound effect government, politics, and industry has had on the modern development of life and earth sciences.

Part 2 looks more closely at particular disciplines, in “analysis and experimentation” within the fields of geology (Mott T. Greene), paleontology (Ronald Rainger), zoology (Mario A. Di Gregorio), botany (Eugene Cittadino), evolution (Jonathan Hodge), anatomy, histology, and ctyology (Susan C. Lawrence), embryology (Nick Hopwood), microbiology (Olga Amsterdamska), physiology (Richard L. Kremer), and pathology (Russell C. Maulitz). These essays provide a general reference to the origin, development, and expansion of these fields, intertwined as a “complex activity of scientists and sciences operating in larger philosophical, social, political, and economic” nineteenth-century contexts. Again, a few noteworthy essays deserve expansion and comment.

Rainger’s essay seeks to place paleontology within its social, cultural, and political context, covering such topics as extinction, stratigraphy, progress, and evolution, noting that “although many paleontologists studied evolution, few embraced Darwin’s theory of evolution by natural selection.” Rainger also includes an informative section on “paleontology and modern Darwinism,” which includes discussions on biogeography and fossil displays in modern museums. Here we see how Niles Eldredge and Stephen Jay Gould’s “powerful criticism of the evolutionary synthesis” of a previous generation sent paleontologists into the field to find evidence for “punctuated equilibrium.” Disappointing, however, is the omission of paleoart, where art and paleontology intersect in curious and sometimes problematic ways. Missing also is any discussion of the incredibly contentious field of paleoanthropology.

Hodge observes that today’s biologists view their field as a “historical continuity of succession.” This view, however, assumes “a sameness of enterprise, with everyone contributing to evolutionary biology as found in a current textbook.” Another assumption biologists make is that “only evolution gives fully scientific answers to their questions, and all other answers are ancient religious dogmas or persistent metaphysical preconceptions.” But these assumptions bare little to no historical reality. This view of science is traced back to nineteenth-century proponents for Darwin. “Science was then often demarcated, in accord with new positivist notions of science, by this very contrast with religion and metaphysics, so that the rise of evolution and fall of Hebrew creation or Hellenic stasis was subsumed within the rise of modern, scientific ways of thinking and feeling about ourselves and nature” (my emphasis).

What follows is a historical narrative of oft-cited dramatis personae. The influence—and contrast—of Buffon and Linnaeus is listed. Because of their major divergences, later followers like George Cuvier, Lorenz Oken (1779-1851), and Jean Lamarck (1744-1829) had to pick and mix between the two. As Hodge notes, “although once a protégé of Buffon, [Lamarck] never adopted his mentor’s…cosmogonies.” The years following the work of these three men found “no single resolution” amongst successors . Lamarck’s theories looked “threateningly materialistic”; Oken’s “seemed pantheistically unorthodox”; and Cuvier’s “hostility to materialism,” coupled with his respect for biblical scholarship, endeared him to many of his fellow Christians. Further complexities emerge with Karl Ernst von Baer (1792-1876) and Charles Lyell (1797-1875), and later Louis Agassiz (1807-1873) and Robert Chambers (1802-1871).

With the advent of Charles Darwin’s Origin of Species in 1859, European and American discussion of life’s history and diversity was anything but unified. The Origin was not however influenced by evolutionary debates of the 1850s. Penned between 1837-1839, the context of Origin requires relating the work of Lyell, Robert Edmund Grant (1793-1874), Darwin’s own grandfather Erasmus Darwin (1731-1802), and Lamarck. Prior to his HMS Beagle voyage (1831-1836), Darwin completed a student of Grant’s at Edinburgh University in 1826-1827. While aboard the Beagle Darwin devoured Lyell’s first two volumes of Principles of Geology. It was Lyell who had “insisted that anyone favoring any transmutation of species should engage Lamarck’s whole system: spontaneous generation, the progression of classes, organ ancestry for man, and all.” By 1837, Darwin had done just that. At the same time, Darwin was rereading his grandfather’s Zoonomia, which had anticipated some of the views of Lamarck. According to Hodge, this “grandparental precedent inspired and sanctioned this emulation of Lamarckian precedent.” Darwin would also add Robert Malthus’s essay on populations to his own developing theory of evolution.

“The altered state of opinion created by Charles Darwin was less consensual than is often thought,” Hodge argues. He goes on, “for biologists did not merely disagree about the causes of evolution while agreeing about evolution itself; they disagreed deeply about evolution as such.”

Part 3 of this volume also looks at “new objects and ideas” found in “plate tectonics” (Henry Frankel), “geophysics and geochemistry (David Oldroyd), “mathematical models” (Jeffrey C. Schank and Charles Twardry), “genes” (Richard M. Burian and Doris T. Zallen), “ecosystems” (Pascal Acot), “immunology” (Thomas Söderqvist, Craig Stillwell and Mark Jackson), “cancer” (Jean-Paul Gaudillière), “brain and the behavioral sciences” (Anne Harrington), and “history of biotechnology” (Robert Bud).

The final section in Part 5 consists of essays of wider scope, in “science and culture,” and are much more relevant to my own research. Here I only make mention of one. James Moore’s (“Religion and Science”) excellent essay argues that the “religion and science” trope “is first and foremost an intellectual rubric, proper to the history of ideas, particularly ideas in the English-speaking world.” Indeed, the trope existed as “an organizing category—an agonizing category—for many Victorians.” Here Moore mentions John William Draper’s History of the Conflict between Religion and Science (1847) and Andrew Dickson White’s A History of the Warfare of Science with Theology in Christendom (1896). Only a year later in 1897, the Library of Congress incorporating “Religion and Science” into its authoritative subject headings, “a pair of hypostatized abstractions made memorable by a pair of embattled propagandists became canonical for interpreting modern intellectual history.” This “secular teleology” would later be taken for granted by pundits and popularizers and even academic historians.

Revisions to this thesis emerged in the mid-twentieth century. During this time “Religion and Science” went from being explanans to explanandum. Moore provides long footnotes of contributors who demolished the Victorian propaganda, from Frank M. Turner, Martin Rudwick, A.R. Peacocke, Robert M. Young, Ronald L. Numbers, David C. Lindberg, David Livingstone, Pietro Corsi, John Hedley Brooke, Edward J. Larson, Geoffrey Cantor, Peter J. Bowler, Adrian Desmond, to James Moore himself.

What follows is a review of “five fields of contention clustered around the transformed domain of Darwin studies”: freethought, natural theology, earth history, Darwin, and actual conflict.    “Freethought” or “unbelief” stood for all such deviant “isms” as “materialism,” “atheism,” “rationalism,” “secularism,” “agnosticism,” and “positivism.” But unbelief is “gritty, irrepressible”; “it constantly reinvented itself, or was reinvented, as the nineteenth century’s ideological ‘other.'” Here we find heresies of William Frend and John Leslie, the materialism of Paul d’Holbach, the determinism of Pierre Laplace, the transmutation theories of Jean-Baptiste Lamarck and Etienne Geoffrey Saint-Hilaire, and the rebellion of Richard Carlile. Interestingly enough, it is here, also, “in a twilight world of backstreet cliques, soapbox rants, and unstamped rages, the Victorian roots of ‘Religion and Science’ are to be found.” “Science,” Moore qualifies, “was manifold, not the monolith of propagandists.”

Natural theology was what freethinkers fought and Darwin finally refuted. Such was the old view, and is no longer tenable today. “Natural theology was not single and static but a shifting congeries of moral pursuits.” It was indeed apologetic; but it was edifying, mediating, motivating, ratifying. It was also a stumbling block for many Christians. “High Anglicans, Scot evangelicals, and pietists everywhere saw it as tainted with rationalism.” Despite criticism from both unbelievers and believers, natural theology remained vital.

The belief that providentialism cast up embarrassing obstacles to the progress of the earth and life sciences is another piece of Victoriana, and can longer be maintained. According to Moore, “the cultured men who first made the earth sciences a profession, none did more than genuflect toward Genesis in his research.” Nineteenth-century earth sciences were full of men of eminence—”squires, clergymen, lawyers, military officers, and only later full-time academic specialists.” As Moore put it, “piety united these patricians.”

Darwin stood at the “crossroads of freethought, natural theology, and Lyellian earth history.” At this Victorian crossroad, “he struck out in a direction all his own, an evolutionist incognito, hell-bent on explaining the whole living creation…by natural law. The church was left behind.” Although his faith eventually faltered, Darwin did not have an “atheist agenda.” “While writing the Origin of Species, Darwin’s faith in a ‘personal God’ remained firm, and he never considered himself an atheist.” What he could not fathom was Christian theism, a perpetual, designing Providence, present in all events; a God who punished men eternally for their unbelief. Darwin though such a god immoral.

Despite Darwin’s own beliefs, “freethinkers everywhere welcomed the Origin of Species…as a potent addition to their liberal armory.” Indeed, “most read it through philosophical spectacles.” As Moore writes, “the Origin of Species did not cause a ‘Darwinian revolution,’ destroying natural theology and propelling religion and science into unholy conflict.” What it did do was “merely pointed up and sharpened preexisting tensions.” “What set people at odds,” Moore continues, “were a range of issues, practical as well as theoretical, empirical as well as metaphysical, social and political as well as ideological.” Draper’s Conflict and White’s Warfare followed suit “of an age when New World hubris took on Old World hauteur in the cause of [a] Science” instigated by Thomas Henry Huxley, John Tyndall, Herbert Spencer, members of the X-Club, and others vying for cultural hegemony in the nineteenth century.

“Science made up for lost religious hopes by promising endless secular abundance.” But in the twentieth century such promises were short lived. After World War I, self-styled “fundamentalism” inspired “ordinary Americans angry that their most cherished beliefs were being undermined with their own tax dollars.” “Liberal believers in science…[also] got their comeuppance in the depressed 1930s.” The horrors of the German scientific experiment, with their support of Darwinian policies of ethnic extermination, and the Soviet Union’s industrialized, militarized, and committed Marxist materialism, caused great consternation among western liberals. “During World War II, and particularly with the mobilization of research to meet the postwar Soviet challenge, science in the West was harnessed to state objectives, tied to state funding, and subjected to state regulation as never before.”

Moore nevertheless ends on an optimistic note. Today, he says, “historians aim to situate religion and science on cultural common ground and so recover the religiosity of science, the scientificity of religion, and the integrity of metaphysics occupying that large terra incognita ‘between science and religion’ as traditionally conceived.” Indeed, “perhaps the most telling recent development noted by historians is the vaunted convergence of religion and science in some new vision of reality whose scientific authority will command full religious and moral assent.”

Huxley, Agnosticism, and the X-Club

In assessing the “climate of opinion” in Victorian Britain, and more specifically the context of the evolution debates and narratives of conflict between science and religion that bolstered them, I have been engaging with a number of articles and books about prominent nineteenth-century dramatis personae, including Charles Darwin, Richard Owen, Thomas Henry Huxley, John Tyndall, Alfred Russel Wallace, William Whewell, John William Draper, Andrew Dickson White, and others.

Several articles on Huxley and his X-Club are worth mentioning. Bernard Lightman’s “Huxley and Scientific Agnosticism: the Strange History of a Failed Rhetorical Strategy” (2002) challenges the traditional interpretation that Huxley invented the term “agnostic” in 1869. In 1889 Huxley published a trilogy of essays on the history of agnosticism in the periodical The Nineteenth Century, arguing that he first coined the term in 1869. His friends at the X-Club, however, were surprised at the fact. Lightman finds it strange that Huxley’s inner circle of friends were unaware of the origins of its coinage. “If the members were so open about their religious heterdoxy,” writes Lightman, “and if agnosticism was an important weapon in the attempt to challenge the power of the Anglican establishment, then why did [some of its members] first learn that Huxley had coined the term ‘agnostic’ twenty years after the fact?”

According to Lightman, Huxley’s relationship with the term is far more complicated than traditional accounts. “Not only was he reluctant to identify himself unambiguously as an agnostic in public until 1883, his restricted rhetorical use of agnostic concepts during the 1870s and 1880s was also compromised when other unbelievers, with different agendas, sought to capitalize on the polemical advantages of referring to themselves as agnostics.” Indeed, “Huxley found that he could not control the public meaning of ‘agnosticism’ and that consequently its value as a rhetorical weapon was limited.” By 1889, Huxley realized he need to take control of his neologism by revealing that he was solely responsible for its creation. As such, “historian have been fooled by Huxley’s self-serving reconstruction in 1889 of the history of agnosticism.”

In 1889 Huxley claimed he initially paraded the term at the Metaphysical Society. But this is not reflected, Lightman points out, in the papers he delivered to its members. In papers presented in 1869, 1870, and in 1876, “none of them use the terms ‘agnostic’ or ‘agnosticism.'” Even more glaring, few journals used the new term in discussion of Huxley’s work. Indeed, in the pages of periodical reviews, such as Blackwood Magazine, Contemporary Review, and Scribner’s Monthly, “Huxley was seldom seen as the chief threat to religious orthodoxy.” It was not until 1873, in an article published by St George Mivart in the Fortnightly Review, when Huxley was identified, not as the inventor of the term, but as a prominent leader of the “agnostic philosophy.”

But it was Richard Holt Hutton, theologian, journalist, and editor of the The Spectator, who gave the term its widest circulation. In an article on “Pope Huxley” in the 1870 issue of The Spectator, Hutton referred to as “a great and severe Agnostic.” Interestingly enough, he did not assert that Huxely was responsible for coining the term.

Circulation of the term increased from 1879 to 1883. Yet none of Huxley’s published work during this time contain references to his coinage. It was James Knowles, editor of the Nineteenth Century, who was “partly responsible for the increased currency of the terms ‘agnostic’ and ‘agnosticism’ in this period, as well as throughout the rest of the decade and into the next.” Other authors who discussed agnosticism directly at this time were Bertha Lathbury (1880), J.H. Clapperton (1880), Louis Greg (1882), Rev. Prebendary W. Anderson (1881), B. Thomas (1881), J. Henry Shorthouse (1882), G. Matheson (1883), and others. But in none of these articles is Huxley credited with the term. Indeed, in a Catholic journal, The Month (1882), it is Spencer, not Huxley, who is treated as the “typical representative of atheistical agnosticism.”

Finally in 1882 an article in the pages of Notes and Queries James A.H. Murray credits Huxley with coining the term in 1869. Late in 1883, Huxley was forced “out of the closet” by Charles Albert Watts when the latter published a private letter from Huxley in his periodical Agnostic Annual. On 17 November 1883 the Academy carried a story on Huxley’s contribution to Agnostic Annual. Huxley quickly wrote to the Academy that he made no such contribution and that in fact Watts had played a trick on him. This was apparently newsworthy, as The New York Times entered the show with its own story on the Watts-Huxley debacle in 10 December 1883.

From 1884 to 1888 agnosticism became a hot topic of debate. While in 1884 J. Murray’s A New English Dictionary on Historical Principles noted Huxley’s role as its inventor, “Huxley’s relationship to agnosticism was overshadowed…by the spectacle of two unbelievers [namely, Frederic Harrison and Herbert Spencer] engaged in bitter controversy in the pages of Nineteenth Century.” Other journal gladly became involved in the debate. The debate raged on in 1887 and 1888, when Francis Darwin’s Life and Letter of Charles Darwin (1887) brought to the fight Darwin’s own religious beliefs—or lack there of. During this time “renegade secularists were equally taken by the lure of agnosticism,” including C.A. Watts, William Steward Ross, Richard Bithell, Frederick James Gould, and Samiel Laing. In the work of these men, “Spencer, not Huxley, was the master…as they were inspired by Spencer’s vision of an Unknowable deity.”

From 1884 to 1888, Huxley was still reticent to take full credit of the term. What finally caused his intervention in the controversy, writes Lightman, was accusations of materialism. “Huxley defended himself by saying that earlier in life he could not find a label which suited him, so he ‘invented’ one, calling himself ‘Agnostic.'” But by the time he published his trilogy in 1889, it was a “belated attempt to regain control.” Others were to “endow it with the meanings which he could not accept.”

Ruth Barton’s “‘An Influential Set of Chaps’: The X-Club and Royal Society Politics 1864-85” (1990) and “‘Huxley, Lubbock, and Half a Dozen Others’: Professionals and Gentlemen in the Formation of the X-Club, 1851-1864” (1998) demonstrates how the X-Club was more than “just friends” fraternizing. Founded in 1864, the X-Club was a private, informal society where members could engage in frank discussion about literature, politics, and science over dinner. Moreover, they could plot together on how to achieve common goals, such as the advancement of research, the infiltration and control of important scientific institutions and societies, and the bid to undermine the cultural authority of the Anglican clergy. “The club was for serious research, against aristocratic patronage of science, for a naturalistic world view, and against the commercialization of science.”

In the first paper, Barton analyzes the “politicking which brought X-Club members to position of power and status in the Royal Society.” The Royal Society was full of “disciplinary rivalries, class interests, institutional interconnections and research priorities.” The X-Club represented the most dominant interest group of the Royal Society in the mid-Victorian period. Members were “energetic and ambitious reformers of science,” which included Joseph Dalton Hooker (1817-1911), Thomas Henry Huxley (1825-1895), William Spottiswoode (1825-1883), John Tyndall (1820-1893), Edward Frankland (1825-1899), Thomas Archer Hirst (1830-1892), George Busk (1807-1886), John Lubbock (1834-1913), and Herbert Spencer (1820-1903). Everyone of these figures, except for Spencer, was active in the Royal Society. Darwinian in orientation, “its members were engaged in developing and propagating naturalistic account of physical and human phenomena. They opposed all suggestion that there were supernatural interventions in the natural order and any attempts to constrain scientific investigation within theologically determined boundaries.” They were, as Frank Turner put it, “scientific naturalists.”

The influence of this “small coterie in the affairs of the Royal Society” is revealed in the minutes of X-Club meetings and letters between members. For instance, “personal friendship and disciplinary alliance both played significant parts in the procedures of suggesting, nominating and voting which preceded the award” for the Royal Medal. They also played a substantive role in the election of Royal Society Council members, including changing it Presidents. Indeed, according to Barton, “the X-Club devoted enormous energy to gaining power.” Because the Royal Society represented science, members of the X-Club did all they could to espouse a redefinition of science within a naturalistic worldview.

When members of the X-Club succeeded in gaining Spottiswoode the Presidency, his most memorable act was the push to have Darwin buried in Westminster Abbey. “They were successful, and on Tuesday 25 April 1882, Spottiswoode, Lubbock, Hooker, Huxley, the Duke of Argyll, the Duke of Devonshire, Lord Derby, and the American Ambassador, accompanied by Alfred Russel Wallace and Dean Farrar of Westminster, were pall-bearers in the Abbey funeral.” This was immensely symbolic, and Darwin was “presented as a middle-class saint.” “It was an irony of which they seemed unaware,” write Barton, “that the greatest symbolic achievement of the X-Club was not the separation of theology from science, but the conflation of science, church and state in Darwin’s burial in Westminster Abbey.”

In the second paper, Barton rehearses some of the material found in the previews paper. What is new, and deeply intriguing, is her emphasis that X-Club members formed “alliances…beyond professional science.” They formed alliances with “germanizing theologians, Christian socialists, humanitarian ethnologists, and liberals associated with John Stuart Mill aligned “Science” with liberal forms in theology and in social policy.” Indeed, “commitments to naturalistic explanation and to melioristic social reform linked them to these groups.”

Several books in this area I have been recently paging through include Paul White’s Thomas Huxley: Making the ‘Man of Science’ (2003). This is more than another biography of Huxley. It is an account of the way that a particular cultural identity—the Victorian ‘man of science’—was constructed through processes of negotiation and collaboration between naturalists such as Huxley and their families, colleagues, friends, and adversaries. Through a close reading of private correspondences, White builds up a portrait of Huxley and his relationships, with his wife, fellow men of science, educational reformers, clergymen, and so on. White provocatively depicts Huxley as a defender of high culture, even as an elitist.

Another is Martin Fichman’s An Elusive Victorian: The Evolution of Alfred Russel Wallace (2004). Fichman’s An Elusive Victorian is among several recently published books on Wallace, and this book acts as an important synthesis, a thematic study bringing together aspects of Wallace’s career. Why Wallace, co-discoverer of evolution by natural selection, became “elusive” is difficult to say. Perhaps it is because Wallace is “difficult to pigeonhole…into any neat category. Many labels have been applied to him: field naturalist, biological theorist, socialist, spiritualist, theist, land nationalizationist, philosopher and ethicist.” In finding a more satisfactory answer, Fichman examines Wallace’s range of social contacts (including North American psychologist William James), his marginal annotations in his books, as well as his copious publications (he continued to publish in his old age, including three books written in his eighties). According to Fichman, Wallace was actively marginalized by a circle of practitioners who wielded great influence in scientific affairs from the 1860s and who promoted a naturalistic model of science. That circle were members of the X-Club.

More recently, Nicolaas A. Rupke’s Richard Owen: Biology without Darwin (2009) tells an engaging tale of how Richard Owen, a brilliant anatomist and early chum of Charles Darwin, became the talented, twisted, vindictive, and ultimate loser of the Darwinian Revolution. Owen is somewhat of a tragic figure in narratives of science. All good stories need an evil person to balance the virtues and fortunes of a hero, and unfortunately Owen took up (or portrayed as taking up) the role. Rupke’s Richard Owen, however, problematizes this simplistic narrative.

Rupke situates Owen’s work within the social, institutional, and political context, and how it affected and constrained both his work and its reception. Perhaps the most interesting theme to emerge from Rupke’s study is how Owen’s reputation had been systematically distorted and degraded by Darwin, his scientific followers, and several generations of historians. This theme becomes prominent in Owen’s bitter conflict with Huxley, who “in spite of Owen’s generosity…began chipping away at his patron’s work and reputation,” using as much duplicity, malice, and dishonesty as possible.

In these works, and others, we get a better sense of the “climate of opinion” of these nineteenth-century debates. If there was ever conflict between science and religion, it was neither created by science nor religion. Rather, it was clearly orchestrated by “men of science” the likes of Joseph Dalton Hooker, Thomas Henry Huxley, William Spottiswoode, John Tyndall, Edward Frankland, Thomas Archer Hirst, George Busk, John Lubbock, and Herbert Spencer. Such imagined conflict is still fabricated today, from something of a reincarnated X-Club, in the Brights Movement, which membership includes biologists Richard Dawkins and Richard J. Roberts, cognitive scientist Steven Pinker, philosopher Daniel Dennett, stage magicians and James Randi and Penn & Teller, among others.

Why the Materialist Neo-Darwinian Conception of Nature is Almost Certainly False

Thomas Nagel’s Mind & Cosmos: Why the Materialist Neo-Darwinian Conception of Nature is Almost Certainly False (2012) has caused quite a stir. Maria Popova at Brain Pickings finds “Nagel’s case for weaving a historical perspective into the understanding of mind particularly compelling.” She sees it as “a necessary thorn in the side of today’s all-too-prevalent scientific reductionism and a poignant affirmation of Isaac Asimov’s famous contention that ‘the most beautiful experience we can have is the mysterious.'”

While Louis B. Jones argues in the ThreePenny Review that Nagel’s “project seems like a glance in the right direction,” P.N. Furbank, in the same review article, argues that he is “fatally unspecific,” “impalpable,” and “reckless.”

Edward Fesser at First Things declares that Nagel’s work “marks an important contribution to the small but significant Aristotelian revival currently underway in academic philosophy of science and metaphysics.”

Brian Leiter and Michael Weisberg over at The Nation find Nagel’s argument perplexing, quixotic, unconvincing, and highly misleading; his book is declared “an instrument of mischief.”

John Dupré at Notre Dame Philosophical Reviews also found the book “frustrating and unconvincing.”

Alva Noë, in a series of articles for NPR, “Are the Mind and Life Natural?,” “Moving Beyond Political Correctness,” and “Arguing the Nature of Values,” rejects some of Nagel’s convictions, but also finds Leiter and Weisberg’s review “superficial and unsatisfying.” It is, in the end, a “worthwhile” book.

Philosopher Simon Blackburn’s review in New Statesmen find’s Nagel’s confession to “finding things bewildering” quite charming. But ultimately regrets its appearance. “It will only bring comfort to creationists and fans of ‘intelligent design,'” he says, and “if there were a philosophical Vatican, the book would be a good candidate for going on to the Index.”

Alvin Plantinga, whose own Where the Conflict Really Lies: Science, Religion, and Naturalism (2011) sits beside Nagel’s book on my bookshelf, argues in the New Republic that Nagel makes a strong and persuasive case against materialist naturalism. According to Plantinga, “if Nagel followed his own methodological prescriptions and requirements for sound philosophy, if he followed his own arguments wherever they lead, if he ignored his emotional antipathy to belief in God, then (or so I think) he would wind up a theist.”

More recently, John Horgan at The Globe and Mail, states he shares “Nagel’s view of science’s inadequacies,” but was disappointed by his dry, abstract style. Like Popova, Horgan recommends Nagel’s book “as a much-needed counterweight to the smug, know-it-all stance of many modern scientists.”

Adam Frank at NPR sees “Nagel’s arguments against Darwin…[as] a kind wishful thinking.” Nevertheless, he finds his “perspective bracing.” “[O]nce I got past Nagel’s missteps on Darwin,” Frank writes, “I found his arguments to be quite brave, even if I am not ready to follow him to the ends of his ontology. There is a stiff, cold wind in his perspective. Those who dismiss him out of hand are holding fast to a knowledge that does not exist. The truth of the matter is we are just at the beginning of our understanding of consciousness and of the Mind.”

In the New York Review of Books, H. Allen Orr sees Nagel’s work as “provocative,” reflecting the “efforts of a fiercely independent mind.” In important places, however, Orr believes that it is “wrong.”

Richard Brody at The New Yorker is “immensely sympathetic to Nagel’s line of thought.”

Finally, at The New York Times, Thomas Nagel responds to both his critics and supporters with a brief restatement of his position. He argues that “the physical sciences can describe organisms like ourselves as parts of the objective spatio-temporal order – our structure and behavior in space and time – but they cannot describe the subjective experiences of such organisms or how the world appears to their different particular points of view.” Purely physical descriptions of neurophysiological processes of experience will always leave out the subjective essence of experience. The physical sciences, therefore, leave an important aspect of nature unexplained.

The sciences, if it wishes to have the full domain of explanation, “must expand to include theories capable of explaining the appearance in the universe of mental phenomena and the subjective points of view in which they occur.”

Nagel sees two responses to this claim as self-evidently false: namely, (a) that the mental can be identified with some aspect of the physical; and (b) by denying that the mental is part of reality at all. He also sees a third response as completely implausible, (c) that we can regard it as a mere fluke or accident, an unexplained extra property of certain physical organisms. But by rejecting all three responses he does not see how it entails (d) that we can believe that it has an explanation, but one that belongs not to science but to theology—in other words that mind has been added to the physical world in the course of evolution by divine intervention.

According to Nagel, “a scientific understanding of nature need not be limited to a physical theory of the objective spatio-temporal order.” In other words, Nagel wants an “expanded form of understanding.” “Mind,” he continues, “is not an inexplicable accident or a divine and anomalous gift but a basic aspect of nature that we will not understand until we transcend the built-in limits of contemporary scientific orthodoxy.” Although Nagel does not “believe” the theistic outlook, he does admit that “some theists might find this acceptable; since they could maintain that God is ultimately responsible for such an expanded natural order, as they believe he is for the laws of physics.”